Toyotarou's sound effects also seem larger and more blocky, but I can't say for sure since I've only read the original manga with localized sound effects.
This is most notable in his action scenes where he uses large, jagged panels versus Toriyama-sensei's mostly rectangular panels. The way Toyotarou lays out his panels is very distinct from the original Dragon Ball. While Toyotarou's pen game doesn't perfectly replicate Toriyama-sensei's art style, it's a close approximation. More digestible format, Toyotarou's Dragon Ball Super manga now delivers what is easily my favorite story arc of the Super era. On top of covering the events of the anime in a
The Moro arc is the longest so far in the manga, and was able to tell its epic story with appropriate pacing since there was no need to keep up with an anime version. Before, I only thought of it as a quicker, higher quality alternative to the anime, but with the addition of the Moro arc it has much more to offer. (***review up to chapter 66-End of the Moro Arc***)Īfter 1.5 years since my original review of this manga, I still highly recommend it over the anime version of Dragon Ball Super.
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